Artist
pandelic
1 work Selected through an acquisition program; unminted · Keys and Gates
Artist record
- Collection relationship
- 1 work Selected through an acquisition program; unminted · Keys and Gates
- Works represented
- 1 work
- Acquisition
- Keys and Gates
- Artist and practice profile
- Read the artist profile
- Source record
- Open source record
Works by this artist

Artist and practice profile
6529NM-ART-0010
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"effective_at": "2026-08-01T15:03:35Z",
"entity_id": "6529NM-ART-0010",
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"label": "Keys and Gates artist label",
"observed_at": "2026-08-01T15:03:35Z",
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"preferred_label": "pandelic",
"profile": {
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"source_kind": "wave",
"value": "pandelic",
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"practice": {
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"summary": "A limited public artist profile derived from the artist label attached to a Keys and Gates program outcome; it does not assert a complete scholarly biography."
},
"profile_type": "ARTIST"
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"public_slug": "pandelic",
"record_id": "6529NM-ART-0010",
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"review_status": "reviewed",
"reviewer": {
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"outcome": "approved",
"reviewed_at": "2026-08-23T15:10:17.867Z",
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The selected artist is credited as pandelic in the Wave record. Public materials associated with that handle describe work across composition, piano, improvisation, photography, and immersive storytelling. An artist biography describes “Music Postcards” as a combination of photography, writing, and composition, placing the camera within a broader practice of travel, listening, and multisensory narrative. The name attached to those materials is not adopted here as an authority form until its relationship to the selected handle is confirmed.
In Now Is Our Time, Pan photographs Berlin’s RAW-Gelände in high-contrast black and white. Industrial buildings, barred openings, lamps, and layers of graffiti frame a painted declaration. The work joins photographic observation to a musician’s sensitivity to rhythm and inscription: the slogan appears as a rhythmic mark on a site whose uses and ownership have changed. The artist’s practice context supports the image’s attention to place, inscription, and atmosphere; graffiti authorship remains open.
Selected work
Further research: The multidisciplinary practice is well supported; the preferred credit, exact RAW location, visible-mark rights, and site permissions remain to be confirmed.
Sources: artist site, 15 Questions interview, catalog profile, RAW official history.